Thursday, December 29, 2005
Untold Story
Monday, December 19, 2005
Lyrics na.muthukumar Music Composed by Yuvan Shankar Raja Recorded at Bangkok orchestra a selvaraghavan film
Trend breakers must be appreciated and the OST of Pudupettai is certainly one. It is out of the box and in tune literally with the gangster/underworld milieu the movie is set in. Yange area the rap song for instance captures the scorn of a typical lower middle class person for the upwardly mobile. Nerupu Vayinil sung by Kamalhassan in his trademark base voice is another track in which Yuvan Shankar Raja has done justice in creating music capturing the violent theme of the film.
However, tracks like, Survival of the fittest, the instrumental theme song of the film, for instance comes across as pretentious and I am sure have been generously inspired (plagiarised?) from Hollywood themes. While these instrumental pieces definitely sound good the listener is left wondering about how original they are. For the uninitiated nenjodu kalandire was partially lifted from a TheCorrs song called Runaway. Walking through the rainbow the theme song of …Rainbow Colony is supposed to be copied from none other than Ilayaraaja (Yuvan's father!!!)’s BGM for the film Johny. With this kind of history one tends to become a bit sceptical.
My favourite song in the album is oru naalil, which Yuvan has sung himself. It is fresh, melodious and stands out. Full of pathos this song offers na.muthukumar, the lyricist the scope to showcase his talents as a poet. Pul pesum, poo peesum is a gana pattu types, probably set in a similar situation to the sapno me milte hai song in Ram Gopal Varma’s Satya.Fast paced and peppy the song is sure to follow the success of thi pidika, an earlier Yuvan song in the same style.
The OST concept is new here and must be embraced . There is not a single song in the soundtrack, which can deteriorate into a duet on screen. I am pretty sure that only one or two of them will appear as full-fledged songs in the film. In the past Selvaraghavan has got Yuvan to give his best and with Pudupettai the tradition continues. The music promo’s claim to bring “world music at your doorsteps”. Regarding that I am afraid I have to disagree. I thought I would finish with these provocative lyrics from the yenga area song -
Hey Padicha Naaye Kitta Varathey
Enga Area Ulla Varaathey !!
A/C Potta Bathroomil Enna Varum Ponga
Thandavaalam Kitta Othunguvom Naanga
Nethu Vecha Meenkozhambu Kaathula Pesum
Malli Poovum Inga Pootha Meen Vaasam Veesum !!
lyrics source - lazygeek.net
My Rating of the soundtrack - * * * out of * * * * *
Sunday, December 11, 2005
Splendor Of Our Boyhood
It finally happened at 4.45 last Saturday evening. The boy wonder who we all grew up idolizing reached the summit of the cricketing world by becoming the leading centurion in test cricket. The last couple of days have been full of how it shall be asked for eternity, where you were when Sachin Ramesh Tendulkar, the cricketing monarch of India, took another giant leap towards immortality.
Well, I was at work and around five I got a call from my father who told me that Sachin had just scored the 35th ton. I found it hard to control the tears of joy, which were threatening to pour. Millions of fathers, sons, friends, and fans of Sachin must have rejoiced similarly as they shared the glad tiding of Sachin’s feat. The curly haired, chubby teenager, had just done what he was prophesied to do all those years ago.
Is Sachin Tendulkar the greatest cricketer of his era? I guess Lara and Warne have a few inches lead over him in that race. Is he the greatest player India has ever produced? No, a certain Kapil Dev Nikhanj holds that honour. Then what exactly makes Sachin such a hero to so many of us? Putting it simply, for an entire generation of us who grew up in the 90's he was the splendor of our boyhoods. Is it possible to put a prize tag over the countless moments of joy that he gave us with the majesty of his batting?
Even the most die-hard Tendulkar fan knows in his heart of hearts that Sachin is past his best days. I don’t see his career stretching much beyond the 2007 world cup. Cricket pundits are sitting and hairsplitting about how he was never a great match winner like the Viv Richards and Dennis Lilee’s of the game. I would like to point out to them that Sachin did not have the privilege of being in near invincible teams like those gentlemen. For most of his career he had to play under the atrocious captaincy of Azhar and with a bunch of uninspired teammates.
Cricket is not the all-consuming passion it was to me till my late teens. My best of memories of the game are those of the little man from Bombay trashing the best bowling attacks in the world. In a country still resting on laurels from bygone eras, starved of real life hero’s in the present tense in the 90’s, Sachin gave us so much cheer. His appeal and impact is far beyond cricket. He is a national icon who whose worth can be summed up in one word. Priceless.
Wednesday, December 07, 2005
Cast – RajKiran, Saranya, Cheran Written & Directed by - Cheran
Tavamai Tavamirunde is a flat out masterpiece. It is the story whose fulcrum is the relationship between a father and his two sons. Muthiah (Raj Kiran) runs a printing press in a small town. Despite several hardships he brings up his sons along with his wife (Saranya) without knowing the hardships of life. As the sons grow up various incidents lead them to drift away from their father. How their lives unfold and how their father reacts to the situations forms the crux of the tale.
The thing about …. Tavamirunde is that every single scene and character is unforgettable. Whether it is the deaf helper who works in Muthiah's press or Muthaih himself, who is the pivot of the film, every character is sensitively etched. The authenticity with which the situations are portrayed is such that only one who knows the milieu can depict it as such. No one other than Barathiraja has managed to portray the Tamil heartland and its people with so much of love, sensitivity and realism as Cheran.
Rajkiran comes up with a performance, which according to me is on par with Sivaji’s in Mudal Mariadai.His underplayed performance in some of the scenes, for instance the one in which he is informed by a police officer that his elder son was among those boys caught visiting prostitutes, is just right and never deteriorates to overacting. Some incidents in the second half could have been portrayed a trifle less melodramatically. The weakest link of the movie performance wise is Cheran himself who plays the role of Ramalingam, Muthaih’s younger son. His bursts into tears are sometimes unnecessary and it is obvious that acting is not his cup of tea.
In the final analysis …Tavamirunde is without doubt one of the all time great Tamil films. It is a tearjerker, which will give you the proverbial goose bumps. Like good old Pasamalar, which my grandmother’s generation keeps raving about this film, will be eulogised for a long time to come. Like 16 Vayadinile and Arangetram …Tavamirunde is one of the defining films of Tamil cinema. It reaffirms my belief that Cheran is a potentially great filmmaker and the best thing to have happened to Tamil cinema in ages.
My Rating of the film - * * * * * out of * * * * *
Monday, December 05, 2005
"The Raaja still reigns supreme" – The Hindu
Some days back this boy called Ajit mailed me the URL of his blog dedicated to music. He had said there were some pictures of, and write-ups on Raaja sir. Naturally I was excited and landed up there. The absolute euphoria I felt on reaching there can be compared to the paravasam of Guna in the song partha vizhi. His site is a virtual eulogy to our panaipurathu raja.
The immediate Friday review following the October 16th concert of Raaja carried a review by Malathi Rangarajan called “The Raaja Still Reigns Supreme”. What touched me most about the review is that it was like one written by a fellow fanatic fan of Ilayaraaja.Very few articles by ‘professional’ writers escape the trappings of moribund, wannabe ‘objectivity’. This one was a rare exception.
2006 marks 30 years since The Anakili Revolution when Raaja first burst onto the scene and changed the landscape of Indian music for eternity. I was planning to start the fireworks a little later. After reading Ajit’s blog and The Hindu write up I have decided to declare the tiruvila open right here, right now! I have also decided that I will do a short 10 – 15 minutes documentary film on Raaja sir sometime in the course of the coming year.
The other day I went to Besant Nagar beach. I was humming anda naal nyabagam,vandade kanmani, when I got on to an auto. The autokaran’s radio was tunned onto to an FM station ,and would you believe it, a few moments later the song was played! I felt like a little kid who had just got his favorite chocolate! There is this song from Forrest Gump called turn, turn, turn that basically talks of how there is a time for each and every thing. Well, now is the time to celebrate Raaja, the real Jonathan Livingston Seagull in our midst. May the festivities begin!
Sunday, November 27, 2005
As Grey As It Gets
Robbin Williams(Above) in a still from One Hour Photo
Character - Norman Bates (Antony Perkins) Film – Psycho Director – Alfred Hitchcock The granddaddy of all psychos he became synonymous with the word psychopath. He is in my list because, the shower and the basement scenes aside, this mellow character is as much a victim of ‚ “mother’’ as the other victims. After hearing for years how scary this film was I finally caught up with Norman, along with Kanishkaa when I was in my 1st year of college. More than scared I was disturbed by Norman's character. But I must admit the scene in which, “mother’’ reveals herself in her entirety gave me cramps in my stomoch. Character - Forgot his name (Kamal Hassan) Film – Sigappu Rojakkal Director – Barathiraja This misogynist, who seduces and kills women, burying them in his garden,planting a rose plant above each victim, redefined how a mentally deranged person is portrayed in Tamil films. This seemingly sophisticated character unfolds as the movie proceeds and we see snippets of insanity. Especially the videos of him murdering women which he records for his godfather to see is spooky ( Barathiraja has used a technique for these short scenes, later used in Blair Witch Project ). We are given a wider look at this character’s psychological profile when Sridevi discovers a room in the outhouse whose walls are scribbled with his story. And the finale in which the movie ends with Kamal as a prison inmate staring at the camera (audience) with a blank, melancholic look on his face is sheer class. Character - Sy Parrish (Robin Williams) Film – One Hour Photo Director – Mark Romanek
This lonely photo developer working in a supermarket who stalks, and in his mind becomes a member of a family, is the dark horse on my list. This relatively lesser-known film has Robin Williams in a role totally opposite to his showman like persona in most films. The spookiest scene according to me was one in which Sy is watching TV in a room in his house and the camera slowly starts focusing on a wall – the wall is filled with pictures of the family of 3(husband, wife and son) he stalks. He considers himself as, “uncle Sy’’ to Jake, the couple’s son. Misguided and in a screwed up way, well meaning ,Sy Parrish is as gray as it gets. Character – Vinod (Dhanush) Film – Kadhal Konden Director – Selvaraghavan Vinod is what I would call a psycho by default. Scarred by abuse and pain from childhood Vinod grows up like Oliver Twist. Adam teased in his college and treated as an outcast he becomes over possessive about Divya the only friend he has had in years. Though one sees shades of imbalance in him it is only in the latter half does the director reveal that Vinod is mentally ill. There is a scene in which the police find the corpse of a bar dancer (a nymphomaniac who tries to seduce Vinod) in his room. The setting is shifted at this point to a hilly area ( we now realize he has kidnapped Divya ), where Vinod is dancing with tribals to the tune of the famous kadhal konden theme song. That totally takes you by surprise and hits you on the face. Innocent and yet dangerous, he is a bundle of, a plethora of emotions. I read somewhere that the Vinod character was inspired by a similar one in some German film called Klassenfahrt (The School trip). That was bit of a dampener though. Afterword – I have always preferred psycho’s like those above who are victims as much as victimisers. They are normal humans driven over the edge by circumstances. It is this that fascinates me about them. I frankly find Hannibal Lecter kind of characters who, “kill for pleasure’’ depraved and sadistic. They are evil by choice and meant to give you cheapkicks. None of my favorite psycho’s above fall into this genre.
Saturday, November 19, 2005
Outrageous Hypocrites
Wednesday, November 09, 2005
The Rain and the Opposition
It has been a mad fortnight. Our house got flooded once and barely escaped a couple of days back. Last week when the water came in it got so bad that my sister floated paper boats across my room! I almost felt like Gabriel Oak of Far From The Madding Crowd!!! Man is a helpless bystander in the wake of nature’s fury. Literally. But over the last few days it is not the floods which has bothered me the most. The political opportunism of the main opposition party of this state has got me plain repulsed.
I think the AIADMK government in Tamil Nadu has dealt with the crisis affecting the state very appropriately and efficiently given the circumstance. Efforts are being made to provide adequate relief to those people most adversely affected by the flood. The electricity board in the city immediately cut power in all areas where chances of electrocution were high and yet ensured that safer areas had power supply. I am not very sure about other parts of the state, but at least here in Madras, victims mainly in northern parts, are being taken care of well.
Instead of standing by the government in this time of crisis, the opposition party is busy making use of the situation to score brownie points and manipulate the public opinion especially through ‘news reports’ aired in its mouthpiece TV channel. Shame on you guys! You cannot sink lower! During any natural disaster fatalities are inevitable. Aparently the stampede in a relief camp on Sunday was in some absurd way the Chief Minister Jayalalitha’s fault! Anyone with a modicum of sense will know that when several people have been displaced and left without food and shelter they get desparate. In this case their desperation unfortunately led to the death of 6 women killed when several people scampered for rice and clothes, which were being distributed.
I am by no means saying that the current state government is above censure. Its excesses especially during the current Chief Minister’s 1st term in office are public knowledge. But as far as the current crisis is concerned they have managed the situation very well. For some unfathomable reason Madras has always been a stronghold of the opposition party. I sincerely hope that the shameless way in which these guys have been spreading false rumors ensures that a few more people from our city vote against the rising sun during the assembly elections this year.
My friend Punter(Shankar) has started a blog!Do visit it by clicking here!
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K.R.Narayanan(1920-2005)
Former President of India
May his soul rest in peace
Thursday, November 03, 2005
Starring – Dhanush,Delhi Ganesh,Priyamani,Talaivasal Vijay,Kalairani Music – Ilayaraaja Cinematography and Direction – Balu Mahendra
People who have read my write up This Year’s That Movie will know just how much I was looking forward to watching Adhu Oru Kanakalam.Maybe because I expected too much I was a little disappointed by the film. It’s a good film no doubt, but it is not the masterpiece I expected. The film starts with a convict, Srinivasan (Dhanush), also called Chenu, escaping and hitchhiking upto Otty in a lorry. He narrates his story to the sympathetic lorry driver.
Chenu is a middleclass boy who is unemployed after his graduation leading a carefree existence. He falls in love with his childhood friend Thulasi (Priyamani) who is the servant maid’s daughter, when his parents are not in town. Expectedly his father is averse to his having an affair with the girl. One day Cheenu and his friends who are drunk and driving crash into a police jeep and are arrested. A homosexual inmate harasses Chenu and the latter hits him and ends up accidentally killing him and is sentenced to 10 years in jail.
While in jail he has to endure several hardships and his mother dies. Having promised Thulasi that he will marry her he escapes when he gets an opportunity. With the police hot on his heels what happens to Chenu? I found the climax and conclusion of the film uninspired and tame. Dhanush and Priyamani have emoted so well that they have lived as the characters. Dhanush’s eyes have this wonderful ability to express every kind of feeling and remind me of Sarita (you will know what I mean if you have seen Agnisakshi).
Balu Mahendra scores in his cinematography especially in the scene in which Cheenu jumps from atop a cliff and he has captured the waterfalls beautifully. Ilayaraaja’s songs and BGM blend perfectly with the storyline as usual. Though Mahendra has made a film which is touching, pristine and simple, the viewer is left with a sense of deja vu. Its is also sad that the veteran director still feels it necessary to include an item number to pamper the frontbenchers. But that aside …Kanakalam is a very watchable film and better than any other Tamil film which has come out this year.
My Rating –
* * * out of * * * * *
You can read Srivatsan's review by clicking here
Tuesday, October 25, 2005
Gay People And Us
Quentin Crisp (above) whom Sting immortalised in his song Englishman in Newyork
A few months back while watching a film at Satyam,I saw this guy carrying a handbag, wearing jeans,a girls shirt ,dupetta and glass bangles .Obviously he was gay and I was a little shocked and instinctively repulsed. I kept starring at him in curiosity. Later I realized it’s like treating him like a specimen in a lab and felt guilty about it. A lot of the other people around were staring at him as well and I don’t blame them. We are a conservative city and someone openly admitting without shame that they are gay, which is what this man had done by the way he had dressed, is something that scandalizes us. Whenever I have thought of this incident one thing that strikes me is the tremendous guts it must have taken to come out of the closet about something, which is still considered very unacceptable in our society. There is this song by Sting called Englishman in New York. It is about a gay Brit called Quentin Crisp who in England in the 1930s, which was still under a major Victorian hangover, was a self-confessed homosexual. After being treated as an outcast he moved to New York in the last years of his life, where he was much happier. The plight of gays in India is similar to what it would have been in England in the 1930s.On this reality chat show called Kadaialla Nijam, which used to come on Vijay TV sometime back, this person who was a gay and lesbian rights activist spoke about how there are a substantial number of these people in our city and how they face disapproval and scorn wherever they go. He was talking about how they have to hide what they are, fearing how people may react to them. I think we should all realize that how much ever absurd the idea of same sex couples and attractions might be to us it is something which seems natural to these people. While we have a right to say that we don’t want to have anything to do with them, we have no business passing value judgments on them. We have a right to keep away, but we are nobody to mock, scorn, and ridicule them or call them evil or perverted. The genaralisation that gays try and harass us is being unfair to them. Just like there are men who rape women there may be gay folk who might make a pass at and abuse others. Just like rapists such gays deserve no pity and must be made to pay for their crime. But ostracizing their whole community for this is barbarian.
The situation of the guy I saw at the cinema house is not dissimilar to that of the defiant British gentleman who lived his life without compromise. “It takes a man to suffer ignorance and smile, Be yourself no matter what they say.’’-These lines from Sting’s song convey the amazing defiance amdist unthinkable adversity shown by Quentin Crisp, and all people like him who have choosen to live life the way they want to, despite of being thought of as abnormal and wierd . Of course it is not easy for us to accept these people.But lets us respect their way of life and try to be tolerant to them.
Sunday, October 23, 2005
If You Witness An Accident
Monday, October 17, 2005
The King Performs
An instrumental version of paruvame was being played on the speakers as we entered the gates of the Nehru Indoor stadium. After taking our seats the wait for Raaja sir’s entry was really exciting. And then a door opened slowly on top of the stage and we got our first glimpse of Raaja surrounded by little kids. As he started coming down the steps crackers started flying and he started singing janane janane. The King had arrived and we his fans went berserk as Raaja bowed to us in acknowledgment of the applause.
And thru the show Raaja was at his spectacular best. His own unique style of conducting the show like for instance, stopping in the middle of a song to correct his orchestra players, was fabulous, in its sheer novelty. The singing demonstration of different folks songs, handed over by word of mouth from generation to generation, was scintillating. The grandeur of the orchestration for songs like sundari kannal oru seidi really came thru listening to them live.
While a lot of the singers like SPB,Hariharan,Chitra,Jayachandra or even Mano sang really well, listening to Sreya Ghosal singing live was a huge dampener. She totally spoilt songs like elangatru vesude by skipping whole lines and mispronouncing the rest, and left me feeling she does not deserve to be in the same stage as Isaignani Ilayaraaja.Some of the celebrities speaking between songs, especially Barathiraja, were really irritating. It would have been nice if Raaja had performed songs from Nothing but Wind or How to Name It.
Certain joys in life cannot be put in words. The privilege of watching Raaja sir perform is one of them. What makes Ilayaraaja so special for so many of us? I have for a while been trying to figure out the answer to this. I think it lies in the fact that there are very few things and people in our lives, which are a constant and always there to comfort us. My immediate family, those precious people who are my close friends, and Raaja’s enduring music are those invaluable things in my life, which I would call permanent.
Thursday, October 13, 2005
Major calamities have a way of bringing out the best in us. We have been hearing so many stories of despair after the earthquake that struck Pakistan and India last weekend. Amidst all this both the Pakistani and our jawans^, through some spontaneous gestures of compassion and kindness have put to shame the politicians of both our countries.
On Tuesday some jawans near the LoC in Pakistan administered Kashmir had been trapped under debris when a bunker had collapsed. They called out to the Indian jawans just a few feet away, on our side, for help. Without sanction from the authorities our jawans crossed over to the Pakistani side and along with some of their jawans rescued the trapped jawans and returned.
There was another incident which Barkha Dutt narrated, reporting from Uri in Indian administered Kashmir. Apparently a few of our jawans had accidentally crossed over to their side during a rescue operation. They were met with neither hostility nor arrest. The Pakistani’s promptly returned them in an unprecedented act of camaraderie. Through these moving gestures the humble jawans have proven once again that,we, the people of both our countries, think of each other as sisters and brothers.
^Jawan - foot soldier
Do visit this site set up to provide help to those affected by the earthquake
Friday, October 07, 2005
The Impact, Relevance And The Role Of The Left In The Age Of Neocolonialism
Tuesday, October 04, 2005
Saturday, October 01, 2005
Short Story/The Old Couple And The Touring Marriage Party
Tuesday, September 27, 2005
Reality Check.At Last!
Indian cricket needs a major overhaul. The popularity ratings of the game have started to dip and so have the corporate sponsorships. This is a direct reflection of the discontent of the cricketing fans. How long can our cricketers expect the same obscenely high remuneration if they don’t perform? I hope Sharad Pawar becomes the BCCI President. While another politician running Indian cricket is not the greatest thing to happen it is likely to end the monopoly of Jagmohan Dalmiya who has been running Indian cricket like a feudal lord.
There are a few positives, which has emerged out of Ganguly Vs Chappell as well. For starters there is a huge pressure on the captain and coach to do something about the abysmal slump over the last 2 years. Chappell has a huge role to play in how the team approaches India’s campaign to win the World Cup in 2007.While it is high time that Sourav is eased out of the Test team he is very much a part of the scheme of things in the one day set up. Just have a look at his overall one-day record.
Though I have to grudgingly admit that Indian cricket needs a tough professional like Chappell he needs to rethink his approach big time if he wants to win the players trust and confidence. Chappell’s e-mail claims that Ganguly is “ affecting the mental state of other members of the squad”. When he says this is he simply referring to Laxman, who is disenchanted for not being a permanent fixture in the one day set up? I hope Chappell knows that Laxman’s record in the shorter version of the game proves that he is a liability. Chappell also needs to realize that he is not going to win the respect and confidence of the team by reprimanding them to the Board every time he has a problem with one of them, like he had with the skipper.
Sacking Chappell will be a big mistake and if it is a question of Sourav or Chappell I think we might have to sacrifice the Prince of Calcutta in the long-term interest of Indian cricket. I don’t like Greg Chapell as he approaches cricket like a business and I think he has scant respect for the spirit of the game. But when there is huge money involved an out and out professional coach is needed.
I think the current crises –both who will control BCCI and the Ganguly Vs Chappell fallout augers well for Indian cricket. The most important people in Indian cricket-us, the fans are disillusioned with the way our players don’t show the same enthusiasm in playing for India as they do in their corporate promotional campaigns. It’s high time a major revamp in how the game is played and administered takes place. In that context it’s good that both the Board and the team is under the microscope. Its great that this reality check is taking place before we lose another truck load of one-day finals.
Friday, September 23, 2005
Short Story/The Old Couple And The Touring Marriage Party
Tuesday, September 20, 2005
3 Cases Of Evangelism
Sunday, September 18, 2005
Short Story/The Old Couple And The Touring Marriage Party
Saturday, September 17, 2005
Guest Article/Is There Any Hope For The U.N?
Do we need the United Nations Organisation at all? The UNO was established 60 years ago and by now should have undergone fundamental reforms. But the reforms are failing to go thru, because there is a lack of unity among the nations – and especially there is the ignorance from its most powerful member-state, the USA. But don´t we need an international political instrument against injustice and a counterbalance against economic globalisation?
Histororically, the career of the UN can´t be seen as a straight success-story. Certainly there have also been successes – as during the Cuba-crisis of 1962, when secretary general U Thang prevented the outbreak of an atomic third world war. But often enough, single nations have ignored UN-resolutions. As we all know, in 2003, the United States of America disregarded the UN-decisions and attacked Iraq. Isn´t this a step back undermining the development following 1945?
The USA has always cultivated a love-hate-relationship towards the UN. Inspired by the ideas of the enlightenment era, US-president Woodrow Wilson was probably the keenest founder of the League of Nations in 1919/20. Nevertheless, the USA as a nation never participated in the League ..Although since the foundation of the UN in San Francisco 1945 the UN-headquarters had been located in New York, the love-hate-relationship continued. In the 1980s, President Reagan made sure that the USA left the UNESCO and that fees were not paid completely (one has to admit that the US paid a large share of the UN-household. But if not the most affluent nations – who else should finance supranational politics: Ethiopia or Cambodia?).And the current US-ambassador in the UN, John Bolton, is not more than a bad joke: aid for developing countries, fair trade conditions for the "Third World", protection of the environment, an international criminal court? Not with us!
The hopes of the decolonised countries that had encouraged them to make the UN an arena for their fight for a new (economic) world order in the 1970s were not fulfilled. Now it seems that unilateralism has gained acceptance and that the ideas of the UN – multilateralism and democratic relationships among the nations – have faded away.
So, is there any chance to reform the UN in such a way that it might become a democratic institution with a just balance of power among its member-states? The reform of the Security Council could be a beginning. Just as the League of Nations had been dominated by the winning nations of world war I, the UN is dominated by the winning coalition of world war II. The allies USA, Soviet Union,France and Britain united with China (until 1971 Taiwan)–to become the only permanent members of the Security Council.Today it is the object of the most controversial debates. I think, India should be a permanent member – the voices of 1 billion people must not be ignored by this institution. In the case of Germany, I´m not so sure. Why should there be a third European state? (It would be better to have just one permanent seat for the European Union). And what about Brazil, Japan – and when will the African States take a stronger position in world politics?
Also since the brave ideas of Kofi Annan has not became a reality now (he did not get the support of the USA, because he dared to criticise the war in Iraq) one starts raising these questions.Is there any hope for the UN? And what should be done?
Christian lives in Bohn,Germany and can be contacted at christiansitar@gmail.com
Friday, September 09, 2005
Ten Years Since Mockingbird
Ten years ago, I had just joined The School-K.F.I, the place that has made me what I am today. Being a new student I was desperately trying to fit in to the place where I would go on to meet some of the most important people in my life. It was also the time when I was 1st exposed to serious literature in the form of a book called To Kill A Mockingbird. We did it together in class with Jayshree Akka our English teacher. We would take turns and read the book and then discuss it.
Mockingbird made us wake up to the society around us. It threw up questions for us about things we were unaware of, or had at best a vague and confused knowledge of. For those of you who don’t know the book is about growing up in America in the 30s when there was still open discrimination between blacks and whites. It is about a white lawyer who fights for an Afro-American wrongly accused of raping a white girl. But most unforgettably it is about those two kids-Jem & Scout, and Boo Radley.
Boo is the most enigmatic and haunting character I have come across in literature. This character, not seen until the final pages of the book is made a monster of by the town because of certain rumours. And the way Harper Lee (the author) describes him from the point of view of those kids made us all shudder. There is an incident when the kids are playing and their ball falls into the neighboring Radley house. They are terrified to get the ball fearing that Boo (who incidentally never comes out) will do something awful to them. And Jayshree Akka never once told us until we came to the climax, so to speak, that Boo Radley was such a hero! It was the way we all read this book together which also made it so special. 12-13 years old at that time things like racial discrimination (read caste, in our country’s context), rape, etc were stuff we were blissfully unaware of .Ok, we had seen a few crude rape scenes from a few crude movies, but it was something which we probably did not fully comprehend. But reading through the book and our teacher putting things in perspective, gave some of us our first true insight into the real world. Even a small character like the Finch housemaid was so poignant. And those unforgettable lines after Boo rescues the kids, which Scout narrates in retrospect-
“ Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.”
They just make me cry & cry & cry & cry & cry.
Ten years have gone by since we did Mockingbird. Ten years of joy & sorrow; triumphs & disappointments; and inevitably- change. God only know what the next ten will bring. Some of us will be married and settled and all. But one thing I am a certain of –Mockingbird and so many other wonderful things that we shared and indeed still share will always give us comfort and reassurance. For some things are far more eternal than the ravages of time.
Wednesday, September 07, 2005
Idhu Oru Pon Maalaip Pozhudhu
This is the gold hued twilight time of late evening,
The sky blushes as she changes her attire for the night ahead.
A thousand colors weave their magic,
Painting decorative designs at the doorstep of nighttime.
As the sky builds a bridge to the night and the birds sing,
The flower plants sway causing a gentle breeze,
Oh! This lovely gold hued late evening!
To me the sky seems like Buddha’s Bodhi tree*,
Everyday she reassures me with glad tidings,
That one-day we shall live in a fair world,
And that day is not far away,
Through my introspections and questioning,
I do penance and wait for that day,
On this lovely gold hued late evening,
When the sky blushes as she,
Changes her attire for the night ahead.
*The Buddha is said to have attained enlightenment under a Bodhi tree in Bodhgaya.
This is my translation of a poem by the Tamil poet Vairamuthu.It is one of his earliest poems and appeared in the movie Nizhalgal(Shadows).
Monday, September 05, 2005
Lost in Translation?
I am in the middle of Book-4 of Ponniyin Selvan.It has taken me more than a year to reach this far. So many people esp. from my mother’s generation have praised this work so much that, I must admit I am a little disappointed, when I find that it has not lived up to the kind of praise that has been showered on it. But that is because I am reading the translated version, since I don’t know to read Tamil.
To be fair to the translator, C.V.Karthik Narayanan, he has done a decent job. But it is impossible as he himself acknowledges, to capture the grandeur of the original. So many people have described events in the story and how Kalki describes them, and since Tamil is my mother tongue, I can imagine how beautiful it must be to read this work in its original form.
My classmate and friend, Shankar, has been reading the original, after he decided that the translation was not satisfactory. Though his fluency in reading the Tamil script is much lesser than that in reading English, he feels that the effort is worth it. Now I am cursing myself for having taken Hindi instead of Tamil as my second language in school. How captivating it would be to read Kalki’s description of Nandini? How great it would be to see Poonkuzhali, one of my favorite characters, through Kalki’s words?
I am still going to complete reading the book in English. And if it weren’t for the translation I might have never read Ponniyin Selvan.But I feel sad that I cannot read one of the great literary works of the 20th Century in the splendor of its writer's words. It is such a shame that Kalki to this date remains unknown to most readers who are not Tamil. And no translation can ever overcome the language barrier and familiarize non-Tamil’s with Kalki’s books. Because it would make a great work like Ponnyin Selvan seem like a mediocre one. And that’s such a pity.
Friday, September 02, 2005
Some Of This Season's Best
Monday, August 29, 2005
Being an Agnostic, Hindu-Brahmin
Tuesday, August 23, 2005
Nenjam Marapadilai
Having been an avid movie lover most of my life, I just realised, if I were to pick one film as my all time favorite,it will undoubtedly be Mouna Raagam(A Silent Symphony).If I were to guess the number of films I would have watched,I would say,maybe 1000.It is just that special something about this film, that makes it,so much more special, than any other movie I have seen.It touches the heart and moves you.And I have seen it about 20 times and everytime there is some emotional chord that it strikes.
I love the early scenes showing Divya’s(Revathi) family. Divya catching her elder brother flirting with his wife,making fun of her father not knowing he is listening…I love the part when the heroine sings and dances in the rain,"Oh,Oh,Megam" and comes back home to find the husband-to-be,Mohan, waiting.I love the scene where Revathi explains to Mohan, taking great pains, why she is not the right girl for him, and Mohan telling her at the end,"Idu sonaduke aparam yanaku ona inuvum jastiyave pudichuduku".
There is no scene which is out of place or unneccessary .The initial scenes after the marriage takes place are so poignant. Revathi telling Mohan,"Nenga enna thota kambili pootchi todra mari iruku"-your heart just goes out for Mohan. His attempts at trying to get his wife to like him are so beautiful. Vairamuthu’s poetry in “Mandram Vandha Tendrlluku” is so lovely-“Tamarai mel neer thuli pol talaivanum,talaiviyum valvadena?”;"Nanbargal pole valvadheku,maalaiyum,melumum tevai enna?". Karthik’s role is like a fresh breeze, which cools you, and makes you want more of it. His character really haunts . His gunda intro;his winking at Revathi ,when he comes out of jail badly beaten up,and the latter is concerned about his wellness; the legendary "Mr.Chandramouli”scene…The scene in which he dies-what BGM from the Isaigyani, when Karthik runs off from the police van, and reaches the steps of the Registrar’s office,where he is shot dead-what music thru the movie period! I love the parts when Revathi starts to like Mohan(during the waiting period for the divorce). Who can forget Revathi teaching the gullible Sardar swear words in Tamil? Or Mohan taking her to the Taj?Or Revathi cooking something, which her husband will like, and him turning up late? Or Mohan being rude to his wife's parents, because he wants them to think,that he is the reason their marriage is falling apart? And that last scene! Revathi tearing the divorce sheets and getting on the train, Mohan valiantly catching the running train; his eyes meeting Revathi’s, their embrace ;Mohan pulling the chain and getting off with his wife ,and sweeping her literally off her feet and walking off? From start to finish what a wonderful film! Sure, even I who have romanticized this film so much, know that it is not the greatest movie ever made or anything. I am only saying that it is my all-time favorite film.Like love and friendship it is something I feel. For eternity Mani Rathnam will be remembered for this masterpiece.
Thursday, August 18, 2005
Freedom of Expression
Wednesday, August 17, 2005
The Site That Started It All
Sunday, August 14, 2005
The World’s Youngest Political Prisoner
the only exsisting pic. of the world's youngest political prisoner,the 11 th Panchen Lama of Tibet
The world’s youngest political prisoner, Gedhun Choekyi Nyima, has been missing for 6 years. He is the current Panchen Lama, which is a title the Tibetans confer on their second most important leader, following the Dalai Lama. At the age of 10 China’s illegitimate government kidnapped him.After initially denying even knowledge of his whereabouts, China admitted that they were hiding the boy afraid that the Tibetans would kill him! Subsequently the Chinese dictatorship installed their own handpicked puppet Panchen Lama, proclaiming him to be the true one.
The Panchen Lama has a huge say in determining the next Dalai Lama after the passing of the current one. So the objectives of the repressive regime of China cannot be clearer. By holding the 11th Panchen Lama China hopes to further weaken the Tibetan struggle for freedom or autonomy.The Tibetan Government, operating in exile from our country has no idea of the whereabouts or the conditions under which the Panchen Lama is being held. I cannot even begin to think what he would have had to endure at the hands of a government, which has one of the worst human rights track records in the world. On this our 58th Independence Day, apart from celebrating our freedom let us also spare a thought for this boy and pray for him.
Saturday, August 13, 2005
Thus Spake Selva
People below are some quotes and trivia, of and about, one of my favorite directors Selva Raghavan.Enjoy!
Trivia-
Age-29
Academic Qualification-Mechanical Engineer
Favorite Actors-Robert Deniro,Kamal Haasan
Favorite directors-Francis Ford Coppola, Roman Polanski and Barathiraja
Favorite Writer-Wilbur Smith
Favorite Food-Chinese
Place he wants to visit most-Venice
Quotes-
Selva on -
his style of film making-"No messages only realism."
how he sees himself-"I still dont see myself as a director.Trying to be one."
his 1st film Thuluvadho Illamai being branded 'soft porn'-"The problem is, we live in a closed world. When a newcomer does something daring, people attack him but when established filmmakers do it, they accept. Even critics."
best complements he received for Kadhal Konden-"Bharatiraja told me that after 'Nayakan' this film was the most emotional experience for him."
why he made 7G,Rainbow Colony-" 7-G Rainbow Colony is the story of an average guy. I felt his story also needs to be told."
Monday, August 08, 2005
This Year’s That Movie
The wait will be over soon. After being under production for nearly two years, Adhu Oru Kanakalam is releasing this month. Other than Shankar’s Anniyan we have not seen a release from any of the big gun directors this year so naturally expectations are sky high for this Balu Mahendra film. This is what Mahendra has to say on the film," Each film of mine had some shortcoming but this time everything has come out the right way”.
Details of the film's story are sketchy but it is said to be the story of an unemployed youth (Dhanush), whose life turns topsy-turvy due to a decision his father takes. Dhanush, who I believe is potentially the best among the young actors, is back with what could be a career-defining role, after a spate of forgettable roles. Says the director on his performance in the film, "Dhanush is an extraordinary actor and has given his best for the movie. I hope it would be a movie that would take him to a different league."
The supporting cast includes Priya Mani, who plays the daughter of a maidservant, Delhi Ganesh and Thalai Vasal Vijay. Music by Isaigyani Ilayaraaja has been received well by the public and 'Anda Nal Gnyabagam’ and ‘Katuvazhi’ are potential classics. It is known that Mahendra has been ill for a while and so this may be his last film. This is also the first time that Dhanush is working with a senior filmmaker. It is exciting to think how a veteran would have handled this sensitive actor whose talent has remained untapped after Kadhal Konden.All the above factors have made Adhu Oru…the movie I am looking forward to most this year and I am willing to bet it will be the best Tamil film of the year.
Overa buildup panerena?
Saturday, August 06, 2005
It Is Not Them Versus Us!
Thursday, August 04, 2005
Remember Kutraleswaran?
Thursday, July 28, 2005
Freedom Of Thought
Monday, July 25, 2005
“And If You Wrong Us Shall We not Revenge?”-Shylock
Tuesday, July 19, 2005
A Breakthrough
(Above)Raaja in his heyday,at home,with his son Karthik and daughter Bavadarini .
‘Isaigyani’ Ilayaraaja’s Tiruvasagam in symphonic oratorio is a musical feast. It is the 1st oratorio by an Indian. Raaja has worked on the hymns of a 12th Century Tamil mystic, originally set in orthodox chanting style meter. He has composed and orchestrated it to be performed by a western classical orchestra and yet retained the inherent Indian ness of the hymns. What emerges is an absolute breakthrough album. Not just in terms of Indian music. But music itself.
The album’s top song, is an approximately twenty minute long piece,Pollaa Vinayen. There are so many tune variations, shifts in melody and orchestral nuances in this piece. The blending of the English verses written by Steven Schwartz with the Tamil verses is so natural that two styles of music seem united. The choir and the chorus add to the serene feel of this song. Poovaar Senni Mannan ,which is the first song of the album is regal and warlike. The sound makes me imagine Tamil warriors of ancient days praying before embarking to vanquish the enemy. This song brings out Raaja’s musical grandeur at its grandest.
Muthu Natramam has a less sober feel to it. Sung by Unnikrishnan ,Vijay Jesudas and others it sounds like simple peasant folk singing during a harvest. The instrumentation gives a slight fast pace to this song. Pooerukonum sung by Raaja along with his daughter is sweet. Bavadarini’s happy maiden like voice and Raaja’s more sober one act as perfect foil for one another. Umbakarasaey sounds melancholic and reminds one of a person’s search for something or someone. Or at least that is what I gather from my peripheral understanding of ‘ Ilakiya Tamil’ (literary Tamil) and the mood Raaja creates in this song haunts.
My personal favorite in this album is the piece Puttril Vazh Aravum Anjen.Raaja begins this piece offering us a glimpse of his contemplations as he undertakes the daunting task of setting and composing ancient hymns in sync with a symphony orchestra. Like a little child he is excited at the prospect. I just love this song and that is about how well I can describe it!
This is not a review. Because I don’t see myself in anyway being qualified to judge a work of this class. Raaja’s rendition of Tiruvasagam belongs to world music, by one of its masters. It is breathtaking and in my opinion one of the all time best albums by an Indian. In a recent event organized by Raaja for fellow Indian musicians, A.R.Rehman called him a Pokisham(an invaluable jewel).What more can I say about this King of Song or his work?